Winckelmann Gallery
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About the Painting
This oil on canvas painting by Swedish artist Elisabeth Warling (1858-1915), created circa 1890, captures a young boy gathering branches in the Swedish countryside. The work exemplifies Warling's blend of academic training and painterly sensitivity, offering a glimpse into rural childhood and traditional labor during the late 19th century.
In this naturalistic composition, Warling depicts a barefoot boy dressed in simple clothing—rolled-up trousers, a white shirt, and a dark vest—standing among scattered logs and tangled underbrush. A straw hat shades his face as he gazes downward, focused on his task. The surrounding environment, filled with earthy browns, subdued greens, and smoky sky blues, reflects the cool moisture of the forest floor and the muted light of an overcast day.
The artist's expressive brushwork brings texture to the scene, particularly in the detailed rendering of fallen branches, weathered bark, and uneven terrain. A rustic wooden fence and tree-covered horizon offer depth and geographic grounding, evoking the pastoral landscapes of Sweden during this period. The work represents an important example of 19th-century genre painting—a scene drawn from everyday life, rendered with authenticity and emotional depth.
About the Artist
Elisabeth Warling (1858-1915) was born in Stockholm and became a notable figure in Swedish art despite remaining somewhat understated during her lifetime. She began her formal training at the Technical School in Stockholm (1875-1877) before enrolling at the Royal Swedish Academy of Fine Arts (1877-1883), one of the few paths available to female artists at the time.
Thanks to a scholarship, Warling later studied in Paris at the Académie Colarossi (1885-1887), a progressive institution known for welcoming women artists. This Parisian training exposed her to contemporary French painting techniques and the work of artists like Berthe Morisot, whose painterly approach influenced Warling's own style.
Warling's style evolved over time, moving from academic precision toward a more painterly and expressive approach. Like many of her contemporaries in Scandinavia and France, she embraced subjects drawn from everyday life, particularly rural and domestic scenes. Despite her talent, Warling remained on the periphery of the mainstream art world, likely due to her introverted nature and the limited opportunities available to female artists during this period.
Today, her work is increasingly recognized for its emotional subtlety, intimate subject matter, and technical refinement. As renewed interest grows in the contributions of women artists and lesser-known figures of the late 19th and early 20th centuries, Warling's work is gaining appreciation for its artistic and historical significance.
Technical Details
Artist: Elisabeth Warling (1858-1915)
Signed: Lower left corner
Date: c.1890
Medium: Oil on canvas
Condition: Very good condition
Dimensions: 64 x 43 cm / 25ÂĽ x 17 in
Frame: Unframed
Origin: Sweden
An intimate example of Swedish genre painting by a Royal Academy-trained female artist.

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